Marie Hållander: Among the girls and machines of the textile dust: On poetry, textile work and archive

Welcome to a K3 seminar with Marie Hållander, Author and Senior Lecturer in Education, Södertörn University. The title of the talk is:

Among the girls and machines of the textile dust: On poetry, textile work and archive.

It will take place on Wednesday, February 19 at 10.15-12.00 in the K3 Open Studio.

Marie Hållander is an author and researcher within philosophy of education. Her debut novel Tjänster i hemmet (2013) is a poetic novel about working in elderly care service. Det omöjliga vittnandet (2017) is a re-written version of her PhD thesis, published  by Eskaton and can be read online for free: The book will be published in English by Palgrave Macmillan (2020). Hållander is also project leader for the literary scene Sjuhärad text, that arranges literary readings around Sjuhärad and is working as a senior lecturer in Education at Södertörn university.

Here is an abstract for the talk:

In the presentation “Among the girls and machines of the textile dust: poetry, textile work and archive”, I will present an artistic, literary, poetic project which deals with textile workers’ history and specifically textile stories from Sjuhärad, the area surrounding Borås. It is a project where I want to understand and write about the conditions for textile workers in this specific area, which is known for its strong connections to the textile industry. The project draws on material of archive searches and interviews with former workers, as well of my own lines and spatial passings in forms of autobiographical elements, since I am situated in this area and history.

Alicia Smedberg: “Because we say so”: Democratic infrasturcturing in the intersection between public and civil sectors

Welcome to a K3 seminar with Alicia Smedberg, PhD student in Interaction Design, K3. The title of the talk is:

“Because we say so”: Democratic infrastructuring in the intersection between public and civil sectors.

It will take place on Wednesday, February 12 at 10.15-12.00 in the K3 Open Studio.

It will be Alicia’s 50 percent PhD seminar, and Ylva Gislen, Docent in Artistic Practice, will function as discussant. 

Below you will find an abstract for the seminar. If you would like to read Alicia’s draft document for the seminar, mail her (

Recall the feeling of beginning a sentence, in the heat of an argument, without quite know- ing how to finish it. This text is one such sentence, in the midst of things: urgent yet unfin- ished. The text is a result of two and a half years of participatory design practice situated within public sector work in Malmö and Lund, Sweden. The text also marks a milestone in a project with a Marxist-feminist theoretical framework, seeking to articulate the impera- tive of infrastructuring that is both pluralistic and sensitive to power imbalances. This has been framed around the initial question of how we, as participatory designers, can work with and around the issue of agency which arises the inter-sectional work between public and private sectors.

Following Hannah Arendt’s understanding of the public sphere and of politics as articulation and action, the project proposes an approach termed collaborative anecdotalization which, within infrastructuring processes, entails both the recognition of the individual perspective as well as the collaborative practice of building a shared worldview in disparate groups.

Susan Kozel: Performing phenomenology, phenomenology in performance

Welcome to the term’s first K3 seminar. It will be held by Susan Kozel, Professor of New Media, K3.

The title of the talk is:

Performing phenomenology, phenomenology in performance

It will take place on Wednesday, February 5 at 10.15-12.00 in The K3 Open Studio, NIC 0541, Niagara.

Below you will find an abstract for the talk.

“breadth of thought reacting with intensity of sensitive experience stands out as an ultimate claim of existence” (Whitehead 1929)

Supporting the goal of systematically connecting phenomenology and performativity, this seminar will explore a methodological, practical and fundamentally corporeal connection between the two. It expands ongoing work toward refining a method of phenomenological reflection that can account for the nuance and liminality of affective and somatic states.

The exploration of performance and phenomenology will be grounded in the work of choreographer Margrét Sara Guðjónsdóttir; in particular, a collaboration with her that produced a Mixed Reality archive as part of the Living Archives research project. Attention will be devoted not simply to demonstrating the MR installation, but to the special relationship between phenomenology and performance occurring through Guðjónsdóttir deeply somatic choreographies.

This is an applied phenomenology but it does not adhere to a formula that can be brought to bear to experience, like a tool out of a box. Rather, in and through its performance, the bodies of the dancers and the observers come to be. This commitment to understanding and applying a variation of phenomenological method is faithful to the Merleau-Pontian spirit which has shaped it, acknowledging the inherence of the one who sees in that which she sees, “a self through confusion,” one that is “caught up in things, that has a front and a back, a past and a future.” This method exists in motion, in its very application by an unstable self. When applied to the experience of watching dance, it becomes a phenomenology of performance and phenomenology as performance.

Magnus Nilsson: Poetry, Publics and Politics

Welcome to a K3 seminar with Magnus Nilsson, K3.

The title of the talk is:

Poetry, Publics and Politics

It will take place on Wednesday, December 18 at 10.15-12.00 in The K3 Open Studio, NIC 0541, Niagara.

Below you will find an abstract for the talk.

The Swedish poet Stig Sjödin (1917–1993) is generally recognized as an important figure in both Swedish literary history and the history of Swedish working-class literature. This status rests almost exclusively on poetry collections published in the 1940s, 1950s and 1970s. In addition to this, however, Sjödin was also active as a poet within the labour movement. By including these activities, and discussing their relationship to his poetry collections, this seminar presentation aims at broadening the understanding of Sjödin’s oeuvre. It also argues that research on modern Swedish working-class literature must transcend the traditional realm of literature.

Two seminars next week: Sarah Fox and Robert Appelbaum

Due to the Collaborative Future-Making symposium on Tuesday and Wednesday, there is no K3 seminar this week. But we will return with two seminars next week, both taking place in the K3 Studio, fifth floor of Niagara:

On Monday, November 18 at 15.15-17.00

Sarah Fox, Postdoctoral Fellow, Human-Computer Interaction Institute, Carnegie Mellon University: Looking Out from the Stall: Hygiene Resources, Maintenance, and the Internet of Things

On Wednesday, November 20 at 10.15-12.00

Robert Appelbaum, Senior Professor of English Literature, K3: The Renaissance Discovery of Violence

Below you will find abstracts and short bios.

Sarah Fox: Hygiene Resources, Maintenance, and the Internet of Things


Restrooms may appear far from contemporary sites of innovation. But over the past decade, corporations and public institutions have begun developing internet of things (IoT) technologies for these spaces in ways that increasingly define people’s experiences of hygiene resources. Drawing on a 3-year multi-sited ethnographic study, Sarah Fox will discuss how digital technologies entwine with existing forms of collaborative labor to sharpen managerial control of public restroom access and maintenance. Informed by this work, she will describe her collaboration with local activists and custodial staff to reimagine these technologies. Across 18 months throughout the city of Seattle, she developed and deployed a networked sensor designed to support the needs of people without regular access to everyday hygiene resources. This work highlights and contends with a tendency for IoT devices to prioritize concerns for cost-reducing efficiencies and regulatory techniques, rather than support collective responsibility—a concern of increasing importance as design and human-computer scholarship attends to data ethics in public life.


Sarah Fox is a Postdoctoral Fellow at Carnegie Mellon University in the Human-Computer Interaction Institute. Her research focuses on how technological artifacts challenge or propagate social exclusions, by examining existing systems and building alternatives. Her work has earned awards in leading computing venues including ACM CSCW, CHI, and DIS, and has been featured in the Journal of Peer Production and New Media and Society. She holds a Ph.D. in Human Centered Design & Engineering from the University of Washington and has worked in design research at Microsoft Research, Google, and Intel Labs.

Robert Appelbaum, Senior Professor of English Literature, K3: The Renaissance Discovery of Violence


Violence has a history, affected by factors ranging from technological developments to the structure of the household. The representation of violence in art and literature has a history too. In the first place, it documents changes in the history of violence. In the second place, it plays a role in moulding sensibilities, of calling attention to the uses and abuses of violence, of examining heroism, perfidy and victimhood, of bringing spectators and readers not only to see but also to feel what violence is, and of exploring what we can or ought to feel about it.

In this introductory presentation of my VR-funded project on the Renaissance Discovery of Violence, I call attention to writers like William Shakespeare and Matteo Bandello, an Italian novelist, as well as to painters like Michelangelo Caravaggio. I argue that beginning in the fifteenth century, if not sooner, violence was de-normalized in Europe – writers and painters began addressing violence as an exception in human affairs. In addition, representations of violence were subjected to aesthetic reflexivity. In other words, violence increasingly came to be seen as an expression of a grievous will to power which needed to be tempered with self-restraint and observed, at least sometimes, with horror. 


Born in New York City and educated at the University of Chicago and the University of California, Berkeley, Robert Appelbaum is Professor Emeritus of English Literature at Uppsala University and Senior Professor in Arts and Communication at Malmö University. Currently the Erik Allardt Fellow at the Helsinki Collegium for Advanced Studies, he is the author of numerous essays on literature, culture and history, and six books, most recently Terrorism Before the Letter: Mythography and Political Violence in England, Scotland and France 1559-1642 (Oxford, 2015) and The Aesthetics of Violence: Art, Fiction, Drama and Film (Rowman and Littlefield, 2017). In addition to completing his project on Renaissance violence, he is editing a volume for Bloomsbury, A Cultural History of Myth in the Renaissance and a special issue for Studia Neophilologica, “Is economic inequality also a literary problem?”

Sara Gottschalk and Juliana Restrepo: Presentation of PhD projects on Sustainable living and Relational home-making

Welcome to a K3 seminar with Sara Gottschalk and Juliana Restrepo, PhD students in Interaction Design. At the talk they will present their ongoing PhD projects.

The title of Sara Gottschalk’s talk is:

Sustainability for rent? Designerly approaches for forms of sustainable living.

The title of Juliana Restrepo’s talk is:

Relational Home-making – An everyday practice focused on existing and potential relations between home, nature and systems.

They will take place on Wednesday, November 6 at 10.15-12.00 in The K3 Open Studio, NIC 0541, Niagara.

Below you will find abstracts for the talks.  

Abstract Juliana Restrepo:

My research positions itself in relation to metadesign, home geographies, feminist theories and sustainability research. The overall focus is on (future) homes and sustainability. I will use the term ‘Relational home-making’ as a concept that focuses on situated care and ethics, and that nurture people’s curiosity to acknowledging the constitutive relations between what is visible/invisible, included/excluded, wanted/unwanted; in practices that create, maintain and develop home(s) and feeling of home(s).

I am interested in exploring how different meanings, narratives, habits create different everyday understandings of home. This exploration will consider a broader perspective about the meaning of ‘home’ while reflecting on the interdependence between a home with its location and the interactions within.

The project aims at building a collection of everyday stories and to co-design ‘new tales’ (stories of practical knowledge) that can create transdisciplinary understandings about how to care and nurture for our homes through sensitization, preparation and collaboration. 

Keywords and concepts:  Home-making, wisdom, resilient, re-orientation, preparation, know-how, survival, everyday doing, well-being

Abstract Sara Gottschalk:

My research starts in an interest in the relationship between design, societal transformations for sustainability and adaptation to climate- and environmental changes. In this transformation, home and housing has a strong connection both to the individual and society at large, and plays a central role to enable various forms of sustainable living. Though many sustainable concepts are being proposed for new buildings, my interest lies in the transformation of the existing housing stock and the possibilities of doing this process in a democratic and collaborative manner, with a special focus on tenants´ position and participation in this transformation.

At this seminar I wish to discuss:

  • How can complex, interdisciplinary and many-level issues such as housing, be approached with a design-perspective?
  • Methodology, design and ethnographic studies: experiences, tips, etc?


The Swedish average environmental impact, can be expressed as about 10TCO2e* per capita (2016) (1) or as consumption equivalent to about 4 planets/year (2018) (2), a clearly – environmentally and socially – unsustainable standard of living. In Sweden, as well as globally, this impact is unequal distributed, but as a quantitative measurement it gives a hint of what is considered as “a normal way of living”. The first Swedish environmental goal (3) stipulates a society without net greenhouse gas emissions after 2045, and a truly sustainable consumption level means consumption within “one planet”. It is hard not to interpret these numbers as a call for major changes of “the normal way of living”, both as individuals and the Swedish society as a whole. Solutions for changes, technologically, economically, politically, culturally and behaviorally are being proposed, but efforts made so far, are not enough.

In the richer parts of the world, lifestyle changes are at the very heart of sustainable change, connecting the everyday life of individuals to infrastructural organizations of the society. One aspect of this infrastructure is housing, where and how we live. In Sweden, a deep split in the housing market has become evident, where sustainability/unsustainability is used in two completely different ways. One the one hand environmental sustainability being branded in new built “flag-ship” areas such as Västra Hamnen in Malmö (4), Kvillebäcken in Gothenburg (5) and Hammarby sjöstad in Stockholm (6); all areas criticized for being targeted towards middle-class/upper-middle-class, and through “tech-fixes” and relative sustainability, green-washing life-styles with rather large environmental impact. On the other hand, the social dimension being discussed in terms of the unsustainable segregation, “renoviction” (“renovräkning”) and a dysfunctional building market targeting another group of people. The current debate about the Swedish housing situation is dominated by the shortage of affordable housing, especially tenure apartments, mainly in the three major cities. The urgent need to build affordable housing has sparked a discussion of building with lower standards of quality. The §marketisation of the housing sector has contributing to the consumerist view of home as an object of investment, and interior design as something to wear and tear, contributing to increased pressure on natural resources. From this perspective, environmental and social sustainability does not meet in the Swedish housing discussion.

 Sustainability, design and life at home

With this background I see a great importance for alternative ways to address, interpret, develop and give form to various ways of sustainable living, and how to make them robust enough to meet future challenges of climate- and environmental changes. In Sweden, 51% of the housing stock consists of apartments, of which just over 59% are tenure apartments (11). I have a special interest in the tenant’s position and opportunities to participate in the design process of various sustainable living formats. In accordance with Allbolagen from 2011 (12) all tenants are to be offered co-influence in the housing and in the housing company (13). Today, there is no praxis in how this is to be done.

This also requires a better understanding of forms for sustainable living. One approach to sustainability is to focus on environmental and social goals of the sustainable development concept, giving the economic dimension a subordinated role, either embedded as a mean in social sustainability or simply as an outcome of environmental and social goals instead of a goal in itself. This can be exemplified in models such as the Global Sustainable Development Quadrant (8), the critical and heterodox doughnut economy model (9) and recently in the Swedish research project Beyond BNP (10). This approach on sustainability is something I am interesting to elaborate with in a housing context.


Overarching research questions:

  • How can sustainable living better be understood in aspects of environmental and social sustainability? And how can it be understood in praxis?
  • What opportunities exist, and can further be developed, for tenants to be part of the design process of creating sustainable living in apartments?
  • How can society transform and adapt the existing housing stock to coming challenges of climate- and environmental changes? What is already being done? What can be done in a design-perspective?



  1. Konsumtionsbaserade utsläpp av växthusgaser per person och år, Naturvårdsverket: (191020)
  2. Living Planet Report, 2018: (191020)
  3. Sveriges miljömål: (191020)
  4. Holgersen, S. (2017). Staden och kapitalet. Malmö i krisernas tid. Göteborg, Daidalos.
  5. Hagbert, P., & Femenías, P. (2016). Sustainable homes, or simply energy-efficient buildings?. Journal of housing and the built environment, 31(1), 1-17.
  6. Wangel, J. (2013). Hur hållbara är Hammarby Sjöstad och Norra Djurgårdsstaden?.
  7. Network, G. F. (2017). Making the Sustainable Development Goals consistent with sustainability.
  8. Raworth, K. (2017). Doughnut economics: seven ways to think like a 21st century economist. White River Junction, VT: Chelsea Green Publishing.
  9. Hagbert, P., Finnveden, G., Fuehrer, P., Svenfelt, Å., Alfredsson, E., Aretun, A., Karin Bradley, K., Callmer, Å., Fauré, E., Gunnarsson-Östling, U., Hedberg, M., Hornborg, A., Isaksson, K., Malmaeus, M., Malmqvist, T., Nyblom, Å., Skånberg, K. & Öhlund, E. (2018). Framtider bortom BNP-tillväxt: slutrapport från forskningsprogrammet “Bortom BNP-tillväxt: scenarier för hållbart samhällsbyggande”. [Stockholm]: KTH Skolan för arkitektur och samhällsbyggnad.
  10. SCB, Drygt 4,7 bostäder i landet.: (191020)
  11. Lagen om allmännyttiga kommunala aktiebolag (AKBL), § 1, paragraf 3 (2010: 879)
  12. Boverket 2014:28, Allmännyttans erbjudande till hyresgäster om boendeinflytande och inflytande i bolaget

* Emissions embedded in production from abroad included.

Florencia Enghel: Prime-time protest? Screening the news coverage of transnational women’s protests in global TV networks (2017-2019).

Welcome to a K3 seminar with Florencia Enghel, Senior Lecturer in Communication for Development and Docent in Media and Communication Studies

The title of the talk is:

Prime-time protest? Screening the news coverage of transnational women’s protests in global TV networks (2017-2019).

It will take place on Wednesday, October 30 at 10.15-12.00 in The K3 Open Studio, NIC 0541, Niagara.

Below you will find an abstract for the talk.

On 8 March 2017, 2018 and 2019, women’s protests were held in various parts of the world to coincide with International Women’s Day. These actions were spurred to a significant extent by Latin American feminist collectives that have mobilized regularly since late 2015, seeking to coordinate efforts regionally and internationally within a framework of transnational solidarity (Campillo, 2018; Król & Pustułka, 2018). Emerging studies suggest that protests have been profusely documented by activists themselves via social media and covered in varying ways by national news outlets (Matos, 2019). But have they been televised globally? Based on footage from the flagship news programs of eight global newsrooms (BBC, CNN, Deutsche Welle, Euronews, France24, Al Jazeera, Russia Today and China Central Television), I analyse how the protests, which have grown in extent and in digital/local visibility, were covered by international TV networks news year-on-year.

Although the prime-time news broadcasts of global television networks are arguably one among other sites where meaning regarding protest movements is produced and circulated in digital times, understanding how these outlets have recorded and represented the international women’s strike in the past 3 years is nonetheless important given their sustained symbolic power. Moreover, unpacking their politics of representation regarding ongoing women’s struggles can serve to inform the strategic design of counter-strategies for the feminist movement to strengthen its appeal for international solidarity (Sarikakis & Shaed, 2007; Gallagher, 2014).

To this effect, this study takes a qualitative descriptive-interpretative approach. Building on the analytical framework developed by the Robertson (2018), I screen the 2017-2019 data in three senses: 1) by focusing on representations of women’s protest on television screens; 2) by comparing coverage across global broadcasters, identifying which (and how) made the protest visible and which screened it out, as well as similarities and differences in their journalistic narratives; and 3) by providing insights into how global TV networks are meeting (or failing to meet) the challenge of representing the increasing number of women who find that political representation has failed them, and are taking to the streets of the world to seek justice (Fraser, 2008).

Developed with data provided by the Screening Protest Project (funded by the Swedish Research Council and based at Stockholm University’s Dept. of Media in Sweden; see, the study contributes to updating existing indicators for the analysis of gender portrayals in the news (in particular by problematizing earlier propositions according to which misrepresentation could be addressed by incorporating female journalists into newsrooms) and examines how the prime-time coverage of global TV news networks between 2017 and 2019 may have promoted or hindered greater understanding of, and solidarity with, the claims of women’s movements.


Campillo, Inés (2019) ‘If we stop, the world stops’: the 2018 feminist strike in Spain. Social Movement Studies, 18:2, 252-258, DOI: 10.1080/14742837.2018.1556092

Fraser, Nancy (2008) Scales of Justice / Reimagining Political Space in a Globalized World Polity Press, Cambridge

Gallagher, Margaret (2014) “Reframing Communication Rights: Why Gender Matters” in Padovani, Claudia and Calabrese, Andrew (2014) Communication Rights and Social Justice. London: Palgrave MacMillan.

Król, Agnieszka & Pustułka, Paula (2018) Women on strike: mobilizing against reproductive injustice in Poland. International Feminist Journal of Politics, 20:3, 366-384, DOI: 10.1080/14616742.2018.1460214  

Matos, Carolina (2019) Feminist Media Studies Across Borders: Re-visiting Studies within the Brazilian National Context. Journal of International Women’s Studies, 20(2), 11-25.

Available at:

Robertson, Alexa (ed.) (2018) Screening protest. London: Routledge.

Sarikakis, Katharine and Shade, Leslie (2007) Feminist Interventions in International Communication: Minding the Gap. Lanham: Rowman & Littlefield.