This term, the K3 staff arranges three seminar series: apart from the K3 seminar series, we have two series of research-group-specific seminars in and around K3: the “Kultur-Samh\u00e4lle-Politik” seminar series and the K3 Heritage research seminars. Read about them and how to participate below.<\/p>\n\n\n\n
K3 seminar series<\/strong> The Zoom link for online\/hybrid seminars (unless stated otherwise) is: K3 Heritage research group seminars<\/strong> The seminar series is intended as a space to present ongoing work, open discussions, and search for shared interests to pursue further research endeavours. The research group has a Teams channel, so anyone interested is welcome to contact Pille (pille.pruulmann.vengerfeldt@mau.se<\/a>) to keep in contact with the heritage group activities via Teams. The seminar texts will also be shared via Teams.<\/p>\n\n\n\n Kultur-Samh\u00e4lle-Politik<\/strong> seminar series (in Swedish)<\/strong> Keep up with us as we announce new topics!<\/p>\n\n\n\n Schedule, Autumn 2024<\/strong><\/p>\n\n\n\n Aug 20, 13-15,<\/strong> NI:C0826<\/strong><\/strong><\/strong> Aug 28, 15-17, K3 studio (NI:C0505) Sep 4, 13-15, K3 studio (NI:C0505)<\/strong> Sep 9, 10-12, K3 studio (NI:C0505)<\/strong> Sep 11, 13-16:15, NI:B0501<\/strong> Sep 16, 15-16:30, K3 studio (NI:C0505)<\/strong> Sep 18, 13-15, K3 studio (NI:C0505)<\/strong> Sep 25, 13-15, K3 studio (NI:C0505)<\/strong><\/strong><\/strong> Sep 25, 15-17, K3 studio (NI:C0505) Oct 9, 13-16:15, K3 studio (NI:C0505)<\/strong> Oct 14, 15-16:30], K3 studio (NI:C0505)<\/strong> Oct 16, 13-15, NI:C1229<\/strong> Oct 16, 15-17, K3 studio (NI:C0505) Oct 23-25, H\u00f6rsal C (NI:B0E15)<\/strong> Oct 29, 15-17, K3 studio (NI:C0505)<\/strong> Oct 30, 13-15, K3 studio (NI:C0505)<\/strong><\/strong> Nov 11, 15-16:30, K3 studio (NI:C0505)<\/strong><\/strong> Nov 13, 13-16:15<\/strong> Nov 20, 13-15, K3 studio (NI:C0505)<\/strong><\/strong><\/strong> Nov 27, 13-15, K3 studio (NI:C0505)<\/strong><\/strong><\/strong> Nov 27, 15-17, K3 studio (NI:C0505) Dec 4, 13-16:15, K3 studio (NI:C0505)<\/strong><\/strong><\/strong> Dec 9, 12-17<\/strong> Dec 10, 15-17,<\/strong> NI:C0826<\/strong><\/strong><\/strong> Dec 11, 13-15, K3 studio (NI:C0505)<\/strong><\/strong><\/strong> Dec 18, 15-17, K3 studio (NI:C0505)<\/strong> This term, the K3 staff arranges three seminar series: apart from the K3 seminar series, we have two series of research-group-specific seminars in and around K3: the “Kultur-Samh\u00e4lle-Politik” seminar series and the K3 Heritage research seminars. Read about them and … Continue reading
Welcome to K3’s seminar series for the autumn term of 2024! The seminar topics this term are distributed between K3’s four research environments: Design, Media, Storytelling and Arts-based Research. In addition, we host joint K3 seminars on broader topics concerning the whole department.<\/p>\n\n\n\n
https:\/\/mau-se.zoom.us\/j\/62522949096<\/a>
Meeting ID: 625 2294 9096<\/p>\n\n\n\n
We are a group of people in K3 who share an interest in broad issues and questions about heritage. The group is open and welcomes everyone to attend single seminars or all seminars, or any of the other activities of the group.<\/p>\n\n\n\n
Forskargruppen och seminarieserien Kultur-samh\u00e4lle-politik \u00e4r tv\u00e4rvetenskaplig och \u00f6ppen f\u00f6r alla som intresserar sig f\u00f6r hur (huvudsakligen estetisk) kultur f\u00f6rh\u00e5ller sig till andra samh\u00e4llsomr\u00e5den och f\u00f6r dess politiska dimensioner (i vid bem\u00e4rkelse). Vi diskuterar och analyserar allt fr\u00e5n kulturpolitik till litteratur om global uppv\u00e4rmning. Gruppen samarbetar n\u00e4ra med Nordiskt n\u00e4tverk f\u00f6r arbetarlitteraturforskning.<\/p>\n\n\n\n
K3 seminar series [Media]<\/strong>
Fernanda Favaro, PhD student: Brazilian “agrifood” social movement’s communication practices (25% seminar)<\/strong><\/strong><\/strong>
Discussant: Tina Askanius<\/em>
Doctoral student Fernanda Favaro\u2019s project explores the role of social movement communication practices in the construction of the contemporary Brazilian \u201cagrifood\u201d movement\u2019s political imaginaries. In the seminar she shares insights from her first fieldwork trip to Brazil in November-December 2023 and presents a development of the project plan.<\/p>\n\n\n\n
Kultur-Samh\u00e4lle-Politik
<\/strong>Book discussion: “Re-imagining class: Intersectional perspectives on class identity and precarity in contemporary culture”, ed. Michiel Rys, Liesbeth Fran\u00e7ois<\/em><\/p>\n\n\n\n
K3 seminar series<\/strong> [Media]<\/strong>
Another year, another research application<\/strong><\/strong><\/strong>
Moderator: Pille Pruulmann-Vengerfeldt<\/em> & Martina Koegeler Abdi<\/em>
Welcome to the “Another year, another research application” seminar. In the seminar we discuss different ideas about the yearly cycle of the funders, the plans for future applications as well as ideas for support and encouragement that is possible from Grant\u2019s Office as well as from K3.<\/p>\n\n\n\n
K3 Heritage research seminar<\/strong>
Open event in collaboration with CEMES Libraries, archives, and museums as key pillars of modern European democratic societies?<\/em> group<\/strong>
We will have two lectures, welcome to join either in person to K3 studio or online via Zoom: https:\/\/mau-se.zoom.us\/j\/62491014667<\/a>
Casper Hvenegaard Rasmussen<\/em>: \u201cHow Can the Cultural Field Support Democracy?\u201d<\/em>
Democracy is a highly contested concept, with many different\u2014and sometimes opposing\u2014meanings. In this presentation, democracy is explored from a cultural policy perspective, considering it as rights (access), education\/enlightenment (citizenship), public sphere (dialogue), and participation (empowerment).
Krista Lepik-Verliin<\/em>: “Libraries, archives, and museums as key pillars of modern European democratic societies? But when exactly?”
In this presentation, I will critically discuss the work pace of GLAM professionals in the context of accelerating social time, and technological, political, and social changes. There are several time-related aspects that create temporal paradoxes or dilemmas in the work of GLAM professionals: besides attempting to solve various societal crises (including crisis in democracy), we also need to seek solutions to these temporal paradoxes both on individual and organisational levels.<\/p>\n\n\n\n
K3 seminar series<\/strong> [Media]<\/strong><\/strong>
“Creative Media” book chapters discussion<\/strong>
Moderator: Martin Cathcart<\/em>
Evelina Stenbeck<\/em>, “Renate Ambient \u2013 A New Literature For A New Time”
Allan Haverholm<\/em>, “Ergodic literature as a creative process”
Sara Callahan<\/em>, “The light bulb as object, concept and performative practice in contemporary artworks”
Linda Paxling<\/em>, “Cartography as a creative and critical practice for counter-narratives”
Jakob Friedrich Dittmar,<\/em> “En-Passant-Media: Self-decoration in textiles, tattoos and other wrappings”<\/p>\n\n\n\n
K3 Heritage research seminar
On the Governmentalization of Art: Cultural Policy and the Management of the Racial Archipelago<\/strong>
Berndt Clavier<\/em>
The MS you will receive a week before the seminar is an exercise in cultural critique. In it, I describe the historical ontology of cultural policy, its reliance on an aesthetic construction of art, and how this combination produces a type of affiliation we recognize as \u201cculture.\u201d I then try to claim that the conception of \u201cculture\u201d available in cultural policy relates to new forms of racialization. I will engage critically with Bourdieu\u2019s idea of the fields of cultural production and try to argue that it is missing a vital layer currently producing what I want to call \u201cracial archipelagoes.\u201d My text consists of four sections: \u201cThe Aesthetic Origins of Cultural Policy,\u201d \u201cThe Submetrics of Aesthetics and Cultural Policy,\u201d \u201cThe Endogenous Dynamics of \u201cGlobal\u201d Cultural Policy,\u201d and \u201cCultural Policy and the Emergence of Racial Archipelagoes.\u201d Sections one and two are closely related, and sections three and four are likewise closely related. However, all four sections are necessary to explain how contemporary cultural policy contributes to the racialization of migrants in Europe. It is a work in progress and it has tons of contexts not accounted for in the text: I do not engage directly with Foucault (on which most of the theoretical work on \u201chistorical ontology\u201d is based); I do not engage directly with the work of Heidegger and Arendt, which are important philosophical points of departure for my thinking on aesthetics; and I also do not refer to the empirical work that I have done together with Asko, who is not to blame for any of the preposterous things I write in the text you will get (though chances are that if you find something that makes sense to you it is likely the result of discussions with Asko). The chapter is intended as a general introduction to a book on the governmentalization of art and a commentary on the resurgence of racial politics in the twenty-first century and how these politics relate to a contemporary conception of culture.<\/p>\n\n\n\n
K3 seminar series<\/strong> [<\/strong>Arts-based research\/Design]<\/strong>
Design Delirium \u2013 an attempt at formulating a popularized critique (in the form of a book)<\/strong>
Maria Hellstr\u00f6m Reimer<\/em>
—- English below —-
Design Delirium \u2013 ett f\u00f6rs\u00f6k att formulera en popul\u00e4rvetenskaplig kritik (i bokform)<\/span>
Seminariet presenterar ett p\u00e5g\u00e5ende projekt att i bokform och utifr\u00e5n aktuella designexempel formulera en \u201dcivilisationskritik\u201d, det vill s\u00e4ga en kombinerad samh\u00e4lls- och kunskapskritik. Seminariet kommer att fokusera p\u00e5 erfarenhetsutbyte, och tv\u00e5 aspekter st\u00e5r i centrum, dels design som politiskt-ekonomiskt gr\u00e4nsfenomen, dels sakprosa som erfarenhets- och forskningsbaserad uttrycksform. Boken skrivs p\u00e5 svenska men seminariet h\u00e5lls huvudsakligen p\u00e5 engelska.
—- English —-
The seminar will present an ongoing book project based on highly topical design examples and aimed at formulating a \u2018critique of civilization,\u2019 i.e. a combined societal- and knowledge critique. The seminar will focus on exchange of experiences, and two aspects will take centre stage, on the one hand design as political-economic boundary phenomenon, on the other the challenges of non-fictional writing or \u2018factual prose\u2019 \u2013 in Swe \u2018sakprosa\u2019 \u2013 as an experience- and research-based form of expression. While the language of the book is Swedish, the seminar will be held mainly in English.<\/p>\n\n\n\n
K3 seminar series<\/strong> [<\/strong>Storytelling]<\/strong>
Efter velf\u00e6rden. Ny dansk litteratur og reformerne af velf\u00e6rdsstaten i det 21. \u00e5rhundred<\/strong>
Tue Andersen Nex\u00f8<\/em>
K3-seminaret g\u00e4stas av Tue Andersen Nex\u00f8, som ska presentera p\u00e5g\u00e5ende forskning om den danska samtidslitteraturens relation till v\u00e4lf\u00e4rdsstaten. Hans presentation f\u00f6ljs av diskussion av en text (ett work-in-progress) av Evelina Stenbeck om Asta Olivia Nordenhofs Dj\u00e4vulsboken<\/em>.<\/p>\n\n\n\n
Kultur-Samh\u00e4lle-Politik <\/strong>
Evelina Stenbeck<\/em> presenterar en text om Asta Olivia Nordenhof, Faust, kropp&sj\u00e4l, poesi, kunskap och prekaritet.
Oct 2, 13-15, K3 studio (NI:C0505)<\/strong>
K3 seminar series<\/strong> [<\/strong>K3 joint]<\/strong>
Accessibility Strategies in Digital Publishing<\/strong>
Elizabeth Ashley Fox-Jensen<\/em>
“Accessibility Strategies in Digital Publishing” is a seminar designed for teachers, staff, and researchers to explore practical strategies for enhancing accessibility in digital content and publications. Participants will learn about legal and ethical considerations within Sweden, the EU, and the US. They will also explore the rationale for implementing changes and discuss common barriers related to vision, hearing, cognitive abilities, and mobility. The seminar will discuss the POUR principles\u2014perceivable, operable, understandable, and robust\u2014and best practices across various topics, including type treatment, scale, contrast checker, alt text, AI tools, metadata creation and considerations for neurodivergent users. The session includes an interactive workshop component, where attendees will analyse digital content excerpts to identify accessibility issues and propose improvements. This practical exercise aims to reinforce understanding and encourage the application of accessibility principles in their teaching materials and artistic and research-based digital publications.<\/p>\n\n\n\n
K3 seminar series<\/strong> [<\/strong>Media]<\/strong>
“Creative Media” book chapters discussion<\/strong><\/strong>
Bojana Romic, <\/em>“Hybrid teaching”
Tina-Marie Whitman, <\/em>“Looking for mushrooms as a metaphor for studying media”
Fredrik Mohammadi Nor\u00e9n, <\/em>“Biases in AI models for visual analysis”
Mikael Rundberg<\/em>, “Liveness and immediacy in pedagogy”
Pille Pruulmann-Vengerfeldt<\/em>, “Autoethnography in media studies”<\/p>\n\n\n\n
K3 Heritage research seminar
Uses of heritage <\/strong>
Asko Kauppinen<\/em> and Carolina Jonsson-Malm<\/em>
This seminar explores the different ways in which heritage is utilized in contemporary society. We will present research and case studies that examine both the benefits and risks of exploiting heritage for various purposes. The discussion will cover themes such as safeguarding material and immaterial cultural heritage, sustainability, democracy, and the potential of heritage to transform society.<\/p>\n\n\n\n
K3 seminar series<\/strong> [Arts-based research\/Design<\/strong>]<\/strong>
Monster Lab Workshop on Gothic Practice<\/strong>
Chera Kee (Wayne State University), Erika Kvistad (University of South-Eastern Norway), Line Henriksen (K3), and Megen de Bruin-Mol\u00e9 (University of Southampton)<\/em>
\u201cAs a habitus, the Gothic describes a way of writing, a way of reading, a way of thinking about stories, a way of imagining,\u201d writes Timothy G. Jones. \u201cPerhaps the Gothic is something that is done <\/em>rather than something that simply is<\/em>\u201d (2009, p. 127). With this workshop, we explore the Gothic as not only a subject of research, but as something that we as researchers might do<\/em> \u2013 the Gothic as a research method, a creative practice, a habitus. What might it mean for academics, artists, and other thinkers and makers to work in Gothic ways, or to experience their own work as Gothic, with its associations of unsettling power dynamics, intellectual uncertainty, and the potentially dangerous search for knowledge? Come find the ghosts and ghouls in your own work, no preparation needed!<\/p>\n\n\n\n
Kultur-Samh\u00e4lle-Politik <\/strong>
Annika Olsson<\/em> presenterar ett bokkapitel om de intellektuella.<\/p>\n\n\n\n
Conference<\/strong><\/strong>
Nordisk arbetarlitteratur IX – Fr\u00e5n proletariat till prekariat? Arbetarlitteraturens och klassamh\u00e4llets f\u00f6rvandlingar<\/strong> (language: Swedish, first day in English) <\/strong>
Book your spot here<\/a>. Free for K3 staff, SEK125 for external participants.<\/p>\n\n\n\n
Joint RUCARR – K3 seminar<\/strong>
Making politics with the dead: participatory art, activism and black humor<\/strong>
Max Evstropov<\/em>, artist, founder of Party of the Dead
Oleg Ozerov<\/em>, artist, activist. Vice president of NGO Vegan Georgia
\u00c5sa Harvard Maare<\/em>, senior lecturer in visual communication K3
Zoom link: https:\/\/mau-se.zoom.us\/j\/66949548914<\/a>
This seminar is held at the occasion of the K3 Halloween Exhibition in 2024, which is held in collaboration between Malm\u00f6 University Comics Hub, K3 Monster Lab and The Party of the Dead. After the seminar, participants on site will be given a tour of the exhibition (which is at that point probably still \u201cin the making\u201d.).
Max Evstropov will give a presentation of the activist art group Party of the Dead from its beginnings in 2017 until now.
\u00c5sa Harvard Maare makes a presentation focusing on the role of participatory art and black humour in the actions of the Party of the Dead.
Oleg Ozerov will talk about his experiences of making art actions with Party of the Dead, as well as within Vegan Georgia.
We count on 3×15 minutes presentations, with time for discussion. Welcome!<\/p>\n\n\n\n
K3 seminar series<\/strong> [Arts-based research\/Design<\/strong>]<\/strong>
Arts-based research methods and artist-alliances within climate change, environmentalism and migration studies<\/strong><\/strong>
Josepha Wessels<\/em>
My seminar will reflect on work in progress that I have done with respect to using arts-based researcher methods within the topics of climate change, environmentalism and migration studies.
Between 2020 and 2023, within the framework of a research project supported by the French Ministry of Foreign Affairs and the Swedish Research Council, I have employed future visioning workshopping in Sudan together with environmentalists and graffiti artists on documenting the past and visioning the future through collaborative graffiti and environmentalism, alliances with Sudanese artists. A draft paper for this work is attached.
Furthermore, I have employed arts-based methods within migration, within the framework of the research environment \u201cSocial institutions, political governance and integration of refugees\u201d, SIPGI<\/a>, in collaboration with Gothenburg University which runs from 2020-2026. I have used immersive video for fieldwork and collaborative workshops with Syrian refugees in Sweden, Turkey and Jordan. In spring this year, we organized a workshop on this topic with the K3 arts-based research group members, MIM and our partners at GU (Centre for Global Migration). Work was presented about scholarly work, either ongoing or recently completed, where artist-scholars have applied arts-based, or artistic research methods, from body mapping, comics, drawing, video, performance, visual arts, immersive, theatre or music.
This seminar will take place just before my 2-month fellowship at Monash university in Australia, which starts in November. During this period I will work with the Emerging Technology lab<\/a>, headed up by design and futures anthropologist Sarah Pink. I will focus on writing about the immersive, collaborative and arts-based methodology used in both projects, mentioned above, and its significance for sensory and visual anthropology.<\/p>\n\n\n\n
K3 Heritage research seminar
Making of heritage<\/strong>
Magnus Nilsson and Gunnar Krantz<\/em> lead the discussions, topics include the comic archive and working-class literature archive in Copenhagen Working Class museum. In Swedish.
———
Magnus Nilsson, Mette Kj\u00e6r Ovesen<\/em> och Nicklas Freisleben Lund<\/em> presenterar sitt kommande projekt “Fagpressens glemte litteratur- og kulturhistorie: Arbejderlitteratur, -identitet og -offentlighed i de danske fagblade, 1870-1940”.<\/em> En text av Magnus Nilsson som inspirerat ans\u00f6kan kan l\u00e4sas h\u00e4r: Arbetarr\u00f6relselitteraturhistoria?: Mot ett litteraturbegrepp som inkluderar det litter\u00e4ra livet i arbetarr\u00f6relsen<\/a>
Mette ber\u00e4ttar om sitt arbete med att gr\u00e4va fram hittills ok\u00e4nd litteratur av kvinnliga arbetarf\u00f6rattare i fackf\u00f6rbundspressen; Nicklas presenterar projektet, som kommer att genomf\u00f6ras under 2025 och 2026; Magnus ger avslutande kommentarer.
———
Gunnar Krantz<\/em>, “Solidaroperan”I Malm\u00f6 hette Konsum Solidar.
Solidar var inte den f\u00f6rsta kooperativa f\u00f6reningen i Malm\u00f6, men kom att bli den st\u00f6rsta, tillika n\u00e4st st\u00f6rst i landet.
Konsumentkooperation, med r\u00f6tter fr\u00e5n Rochdalef\u00f6reningen i England pr\u00f6vades f\u00f6r f\u00f6rsta g\u00e5ngen i Malm\u00f6 1898 med Kooperativa f\u00f6reningen Pan, grundad av socialdemokraten Axel Danielsson, med blivande statsminister Per Albin Hansson som springpojke. Efter ett par \u00e5r r\u00e4knade Pan tusen medlemmar, med en oms\u00e4ttning p\u00e5 140.000 kronor och fyra butiker. F\u00f6reningen s\u00e5g ut att g\u00e5 en ljus framtid till m\u00f6tes, men pl\u00f6tsligt v\u00e4nde kurvan ned\u00e5t och 1904 var konkursen ett faktum. Axel Danielsson dog 1899, endast 36 \u00e5r gammal. Han hade d\u00e5 hunnit med att \u00f6vers\u00e4tta Kommunistiska manifestet och grunda tidningen Arbetet. F\u00f6reningen Pan \u00f6verlevde honom med fem \u00e5r.
1907 bildades Kooperativa F\u00f6reningen Solidar av medlemmar fr\u00e5n bageri- och konditorifacken. F\u00f6reningens m\u00e5l var \u201datt till g\u00e5ngbara priser avyttra av medlemmarna tillverkade bagerialster\u201d Solidars f\u00f6rsta butik \u00f6ppnades 1908 p\u00e5 M\u00f6llev\u00e5ngstorget 5, samma \u00e5r som strejkbrytarb\u00e5ten Amalthea spr\u00e4ngdes i Malm\u00f6s hamn.
(\u2026)<\/code>
Texten ovan \u00e4r ett utdrag ur manusarbetet med en tecknad serie om konsumentkooperationen Solidar. Serien framst\u00e4lls sida f\u00f6r sida direkt i tryckpressen, en Risografisk duplikator i A2-format. Den experimentella metoden ing\u00e5r i ett konstn\u00e4rligt forskningsprojekt med titeln Autografisk dubbelexponering \u2013 den svarta linjens narrativa egenskaper i tecknade serier.
P\u00e5 seminariet kommer Gunnar att presentera den teoretiska bakgrunden till sin metod, samt n\u00e5gra f\u00e4rdiga sidor ur denna serie.
Projektet \u00e4r finansierat av Vetenskapsr\u00e5det.<\/p>\n\n\n\n
K3 seminar series<\/strong> [Media<\/strong>], K3 studio (NI:C0505)<\/strong><\/strong><\/strong>
“Creative Media” book chapters discussion<\/strong><\/strong><\/strong><\/strong>
Martin Cathcart, <\/em>“The importance of getting lost”
Anna Arnman, <\/em>“The monster in the TV set. Monster, media and trustworthiness”
Sara Bj\u00e4rstorp & Petra Ragnerstam, <\/em>“LARP as a form of creative media exploring radical empathy”
Kajsa Lindskog<\/em>, “Pairing, piecing, pacing, pictures”
Reinhard Handler<\/em>, “Ti esrever dna ti pilf. Doing creative media studies by exploring practices”
Margareta Melin<\/em>, “Understanding Creative Media from a feminist perspective”<\/p>\n\n\n\n
K3 seminar series<\/strong> [Arts-based research\/Design<\/strong><\/strong><\/strong>]<\/strong>
Monsters as Methods<\/strong>
Line Henriksen, Pille Pruulmann Vengerfeldt, \u00c5sa Harvard Maare, Oskar Aspman<\/em>
In this K3 seminar, Monster Lab members \u00c5sa, Oskar, Pille and Line will discuss monsters as methods. They will share some of their recent experiences in working with monsters as research approaches, lenses of illuminating otherwise invisible issues. In this seminar, talking and making will meet, and Line will record elements for the next Monster Lab podcast, while others share their work in progress with monsters.<\/p>\n\n\n\n
K3 seminar series<\/strong> [Media<\/strong>]<\/strong>
Health Care Professionals Vlogging on Social Media<\/strong>
Lina Alhafez, visiting PhD student<\/em>
In this seminar, I will briefly present the topic of my PhD in terms of the context within which it is occurring: The informational\/communication landscape, the motivations, but also the attitudes within the HCP community towards it and how they have evolved in the past 10-15 yrs.
I will then move on to explaining more about my current research on developing an AI assisted tool for sentiment analysis that tries to sketch out a thematic map of trust and skepticism amongst the audience in the content those HCPs are sharing, while baring in mind the unique combination of the types of trust this involves and why it’s important.<\/p>\n\n\n\n
Kultur-Samh\u00e4lle-Politik <\/strong>
Precarious labour in contemporary literature<\/strong>
Magnus Nilsson <\/em><\/p>\n\n\n\n
K3 seminar series<\/strong> [Media<\/strong>]<\/strong>
“Creative Media” book chapters discussion<\/strong><\/strong><\/strong><\/strong>
Line Henriksen, \u00c5sa Harvard Maare, Oskar Aspman, Asko Kauppinen<\/em> & Pille Pruulmann-Vengerfeldt, <\/em>“Collaborative drawing of monsters to understand structural problems”
Dennis Augustsson, <\/em>“Video essay as a boundary object”
Ulrika Sj\u00f6berg & Carolina Martinez<\/em>, “Creating child-rights based media in collaborative research”
Pia J\u00f6nsson<\/em>, “Where is the soul in animated characters?”
Erin Cory,<\/em> “Conviviality and decoloniality in hybrid teaching”
Margareta Melin<\/em>, “Learning Media in the Borderland between Theory and Practice (Gestaltung)”<\/p>\n\n\n\n
K3 Heritage research seminar<\/strong>
Heritage group has a half-day seminar off campus.<\/p>\n\n\n\n
K3 seminar series<\/strong> [Media<\/strong>]<\/strong>
How Collaborative are Collaborative Media?<\/strong><\/strong><\/strong><\/strong>
Bo Reimer, Jonas L\u00f6wgren<\/em>
In 2013, Jonas L\u00f6wgren and Bo Reimer wrote the book \u201cCollaborative Media. Production, Consumption, and Design Interventions\u201d, published by MIT Press. In the book they discussed how with the new forms of digital media, people \u201cformerly known as the audience\u201d no longer only consumed but also produced and even designed media. This phenomenon they termed collaborative media. Through an interdisciplinary research approach that combined the social sciences and humanities traditions of empirical and theoretical work with practice-based, design-oriented interventions, they presented a number of case studies that ranged from small multidisciplinary research experiments to commercial projects used by millions of people.
The book was written at a time characterized by a great belief in the possibilities of collaborative media. Today, in times of centralization and monopolization of digital media, that belief has increasingly withered away. What happened? And how collaborative are collaborative media today? These are the questions this seminar will focus upon.
Jonas L\u00f6wgren is Professor of Interaction and Information Design at the Division of Media and Information Technology, Link\u00f6ping University. Bo Reimer is Professor of Media and Communication Studies, K3, Malm\u00f6 University.<\/p>\n\n\n\n
K3 seminar series<\/strong> [Arts-based research\/Design<\/strong><\/strong><\/strong><\/strong><\/strong>]<\/strong>
The Trade Wagon<\/strong><\/strong>
Jenny Grettve<\/em>
Jenny Grettve gives a\u00a0seminar in relation to her exhibition in the K3 Open Space, \u2018The Trade Wagon\u2019.<\/p>\n\n\n\n
Kultur-Samh\u00e4lle-Politik<\/strong>
Marie \u00d6hman<\/em> presenterar ett bokkapitel om eko-kritik.
<\/p>\n","protected":false},"excerpt":{"rendered":"